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Does film music really matter to the average moviegoer? A great score, after all, can’t save a bad film, and a bad score--so it’s said--can’t sink a good one. Well into the ’40s, it wasn’t uncommon for big-budget Hollywood movies to contain little or no underscoring, and many of today’s directors, following the lead of Martin Scorsese in “GoodFellas,” accompany their films with pop records, not original music. So why bother hiring a high-priced composer and a 50-piece orchestra to crank out a commodity that next to nobody notices?
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